Thomas

I started my career at the intersection of design and strategy — first at Columbia, then through a series of roles that took me from startup pitch decks to McKinsey engagement rooms. Over six years I designed digital products for the world's largest banks, insurers, manufacturers, and healthcare systems. The work was rigorous: mixed-methods research translated into personas, service journeys, and prototypes that had to survive scrutiny from partners and C-suites.

By the time I left as Associate Design Director, I'd learned how to build client-side design capability from scratch — research ops, training programs, playbooks. I'd also learned that the most interesting design problems aren't in boardrooms. They're wherever the systems are most broken and the stakes are highest.

After nearly a decade in consulting, I left the US to make art in Porto. I carved wood, shaped metal, designed websites for local businesses, and built 3D-audio experiences with artists like Mary J. Blige and the Prince estate. I worked a hostel front desk to practice Portuguese and stay close to the neighborhood.

This wasn't a sabbatical — it was a deliberate reset. I wanted to understand what I could build when I wasn't constrained by client briefs and sprint cycles. The answer: sculptures, jewelry, digital works, physical exhibitions, and a creative practice that still informs how I approach design problems today.

I came back to the US and went straight to the hardest environment I could find: residential addiction treatment. I started as a Behavioral Health Technician — taking vitals, running groups, doing crisis de-escalation. Within months I was leading the BHT team, then running day-to-day facility operations as Operations Manager.

What I saw from the inside was a system held together with workarounds. EMRs designed for billing, not care. Intake processes that lost patients in the gap between phone call and admission. Staff burning out on paperwork that didn't make anyone healthier. I didn't just observe these problems — I lived them. That's the difference between designing for healthcare and designing from within it.

Everything converged. The consulting rigor, the creative instinct, the clinical domain knowledge — now I'm building the tools that behavioral health actually needs. Sudsy reimagines the EMR from the patient and clinician experience outward. Melody is a deterministic LLM chatbot that handles healthcare admissions without hallucinating or violating PHI. Paper Cannon is a 14-agent research synthesis pipeline with built-in adversarial quality control.

I'm not waiting for someone to hand me a brief. I'm identifying the gaps myself — because I've worked in the system — and building solutions that most teams haven't figured out are possible yet.